“When you meet someone for the first time, you always get asked what you do for work. You might reply saying you’re a consultant or an accountant, and by doing so, you automatically put yourself in a box. That’s just very limiting to me, and it took me a while to break out of it…”
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People of Legends | “I think boxing has helped me manage my ADHD because it forces me to concentrate and stay calm, which is something I am still working on improving, given that my mind often goes into overdrive.”
Humans of Sentosa | “We’re not going to lie to you. It will be really scary; but, it will be very safe. We will check and make sure everything is safe for you to jump.”
“I started experiencing anxiety and depression when I was 10-years-old. Being the only Malay girl in Chinese Dance, I was bullied a lot in school. Although I was accepted by my friends and teachers in the CCA, I was ostracised by people of my own race.”
“You know, there’s this stereotype that Malays are lazy. So, when I get selected by key figures in the dance industry to represent Singapore at international competitions, I am very proud to show that Singaporeans can make it. It makes me prouder to be Malay as well.”
“I started volunteering in the gender advocacy scene at 16 because of my single mother. Growing up, I witnessed her financial and mental health struggles as she became both the sole breadwinner and homemaker almost overnight.”
People of Legends | Legend’s new kid on the block talks about how her visit to Perth inspired a new outlook on life.
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“My latest work, ‘To Kill The Birds & The Bees’, is a satirical slice of life film that talks about sex education – or lack thereof – in Singapore. It follows the crazy sexual encounters of four Singaporeans and how they unfold.”
“Society puts a huge pressure on us to be attached to someone, to want children and to reach other societal milestones. Ann is wondering: ‘Do I really want that? And on what terms do I want that? Is it possible to find what you want, and what does it require of our partners?’”
We take a look at the weeks and months of rehearsals that went into bringing Faith Ng’s latest play on adulthood, parenthood, and what it means to be happy in contemporary Singapore, live on stage.
“I hope audiences who watch ‘The Fourth Trimester’ will have more empathy and compassion for others. Stop putting pressure on and asking people when they’re going to have kids. It’s such a sensitive question…”
“And to everyone who’s watching this play, I hope you come to realise that it’s okay if your life is turning out differently from what you thought it would be. If you want to remain unmarried until the age of 35, so be it. Don’t want kids? That doesn’t make you any less normal. Go write your own story.”
“I’m very happy when I see her because I miss her so much when I’m in the Philippines. My mum is like my best friend and I can tell her everything and anything.”
“I think it’s important to tell this story because often, once children come into the picture, especially in a city as stressful as Singapore, everything becomes about them and whether you, as parents, have enough to provide for them. If we neglect that relationship, then problems may arise and eat into how we feel about parenthood.”
“What convinced me to take up this role were the many cultural touchpoints that I very much identify with. Faith talks about our struggles with work-life balance, societal and self-imposed pressures, and the gender roles that we conform to or rail against.”
“With stories like ‘The Fourth Trimester’ painting a very realistic picture of parenthood, I hope more people understand that dads need help and support too. And if you’re a dad who may not be doing that much right now, I hope this play reminds you that parenting is a team effort!”
“My biggest fear is dying and not having tried, and I have a lot of visions that I want to make a reality. At the same time, I am afraid of putting myself out there because there’s always a fear of failure. But I’d rather fail now than not try at all.’
“When the audience watches ‘The Fourth Trimester’, I hope they understand that at the end of the day, it’s not about embodying or being an ‘ideal’. We shouldn’t be so dogged by the idea of perfection that we lose what it means to be in the present.”