Category: Arts and CulturePage 1 of 3
“My latest work, ‘To Kill The Birds & The Bees’, is a satirical slice of life film that talks about sex education – or lack thereof – in Singapore. It follows the crazy sexual encounters of four Singaporeans and how they unfold.”
“Society puts a huge pressure on us to be attached to someone, to want children and to reach other societal milestones. Ann is wondering: ‘Do I really want that? And on what terms do I want that? Is it possible to find what you want, and what does it require of our partners?’”
We take a look at the weeks and months of rehearsals that went into bringing Faith Ng’s latest play on adulthood, parenthood, and what it means to be happy in contemporary Singapore, live on stage.
“I hope audiences who watch ‘The Fourth Trimester’ will have more empathy and compassion for others. Stop putting pressure on and asking people when they’re going to have kids. It’s such a sensitive question…”
“And to everyone who’s watching this play, I hope you come to realise that it’s okay if your life is turning out differently from what you thought it would be. If you want to remain unmarried until the age of 35, so be it. Don’t want kids? That doesn’t make you any less normal. Go write your own story.”
“I think it’s important to tell this story because often, once children come into the picture, especially in a city as stressful as Singapore, everything becomes about them and whether you, as parents, have enough to provide for them. If we neglect that relationship, then problems may arise and eat into how we feel about parenthood.”
“What convinced me to take up this role were the many cultural touchpoints that I very much identify with. Faith talks about our struggles with work-life balance, societal and self-imposed pressures, and the gender roles that we conform to or rail against.”
“With stories like ‘The Fourth Trimester’ painting a very realistic picture of parenthood, I hope more people understand that dads need help and support too. And if you’re a dad who may not be doing that much right now, I hope this play reminds you that parenting is a team effort!”
“When the audience watches ‘The Fourth Trimester’, I hope they understand that at the end of the day, it’s not about embodying or being an ‘ideal’. We shouldn’t be so dogged by the idea of perfection that we lose what it means to be in the present.”
“So it always comes back to the same question of ‘Are you happy?’ And what does it even mean to be happy? Does it even matter? Because it’s really hard to be happy in Singapore. There are so many expectations and it’s all very heartbreaking.”
“You can’t stop doing what you love because it’s hard or because you keep getting rejected. Keep on doing it. If you work hard enough and show persistence towards your craft, it’s just a matter of time before you get recognised.”
Wesley Leon Aroozoo pays tribute to Singapore’s unsung immigrants who helped make Singapore the global trading port and maritime powerhouse it is today.
The Singaporean artist who does graffiti, street art and murals talks about the hidden meaning behind his works and being an agent of change.
Renowned for films like “Ilo Ilo” and “Wet Season”, Anthony Chen talks why he can and only will tell stories that are personal to him.
In Part 1 of ‘People of the Arts: Stories from Singapore to Germany’, Weish talks about finding her voice through theatre in these dire times.
“I do not condone violence towards women, and I understand why the online community reacted the way they did. But, people do not know the full story, and it’s not their business to know any more than what I – or anyone involved – would like to share.”
We scoured the vast world of social media for some of the best photos of the “Dale Chihuly: Glass in Bloom” exhibition at Gardens by the Bay.
In the quiet nights leading up to National Day, Hisham Zainal photographs seven landmarks of historical, cultural and religious significance in the Bras Basah-Bugis precinct that were illuminated red and white.
“Art tells people who we are, and represents what’s important to us. It is a visual language that cuts across cultures and languages.”
COVID-19 may have changed the way we live our lives, but as photographer Kurt Ganapathy finds out, it’s not dampened our festive spirits as Singapore celebrates Deepavali.